Friday, April 5, 2013

Colors and Knowledge (Spring Landscape Class)

In one week my Spring Landscape class will begin.

Plein-Air Landscape Painting
 Sat., 10:00 AM - 1:00 PM; 4/13/2013 - 6/1/2013
8 wks; $199.00 supplies are the student's responsibility.
Location: First class meets at artist's studio in Eden Park; then at various parks thereafter 
 Click here to register for the class.

A few things you should know about my class. This dog did not take my class and his painting is the proof. I know he looks proud, but this painting is terrible.


One thing that you will learn in my class is how to use an easel to hold your painting while you work.


I will not be holding your painting for you. Honestly, I am not sure who is smarter in the photo above: the horned painter or the human easel.

You will not be laying down to paint. I mean, how lazy do you have to be? We will learn to stand- upright on two legs- so we can step back from our work and see the whole painting along with our subject thus making the best decisions.  
We will not be using black. I will suggest a chromatic and efficient selection of paints for our landscape paintings. This guy will never be an Impressionist.  Not a bad likeness though.
In all seriousness, it is a good class for both beginners and painters with some experience. I am very hands on and teach to each individuals level of experience.
Comment here or email me if you have any questions.


Wednesday, February 27, 2013

Frames Anonymous

I am thinking of starting a program or support group for painters where we can get together and discuss our addictions. There are two main passions most painters have difficulty controlling, the first being our overpowering need to be surrounded by piles of books. Mostly art books, but titles on poetry, philosophy and history are often included on the shelves. The second is a constant search for frames for our paintings.
Mine specifically focuses on looking for and buying old, unusual frames. I have a growing collection and have recently come to realize, through the growing insistence of my wife, that I may have reached a limit for frame ownership. This limit is mostly due to the fact that the frames are empty and do currently contain any of my paintings.
Another unfortunate problem is that many of the frames that I like, are kind of tough to fit with appropriate paintings, and an eventual owner. Which it turns out is a goal a painter should have- getting framed work into collector's homes.
Recently I purchased a set of five large frames from an online auction. They were part of a set of frames for stations of the cross and hung in a Catholic church at some point. The frames will hold a painting 33" X 24". Honestly, of all the crazy old frames I have drug home, these have the most potential. They are pretty classic and simple frames that could accept portrait, figurative, landscape or still life. I am pretty excited about this purchase.

They need a bit of work but are generally in pretty good shape, with all the molding intact. There is one small piece missing, but I will be able to replicate it. They are painted gold, but I am not sure if that is the original finish. They are oak I believe, so stripping them down and finishing with a wood stain may be a possibility. Though, getting the paint off may be more trouble than it is worth. I may just paint them black and add some gold leaf to the inset at the opening.

I think these will be great frames for a series or group of similar paintings.
Of course, as I unload the piles of frames from my van into the house, the big issue is figuring where to put them. I have a lot of other large frames that are stacked around in my basement waiting for paintings. I am close to ending up on one of those hoarder reality TV shows.

Below is a very cool frame I purchased at an antique store a few years ago, shown leaning up against my garage. It is an awesome frame- also from a set of stations of the cross. This painting will need a pretty impressive  and unique picture. I may remove some of the overtly religious symbolism to allow for a broader range of subjects to fit in this frame. 

This frame I got out of an old house a friend of mine was rehabbing. This was over the mantle and probably held a mirror at one time. It has some wood missing from the carved creatures and needs molding to finish it out at the bottom. Again, it is large and requires a grand subject.

I think I may have admit that I have a problem and stop buying old frames until I have filled a few with paintings and placed them in galleries or homes. I suppose I should get to work. If anyone wants to commission a special painting or subject for the above frames, let me know.

Artists!- contact me if you also have a frame and/or book buying problem and want to talk about it. The first step is admitting that you have a problem- and then letting me know if you have any cool frames you want to sell me.
We could meet in a very cool antique store in town that has a lot of still life objects. OK, maybe I have three addictions.

Sunday, February 10, 2013

A few Valentine's Day shows


I have some work in a few local shows I thought I would share.
Off To The Races, 12"X 9", oil on linen, ©copyright Richard Luschek 2012

Cincinnati Art Galleries, LLC
Please join us on Valentine’s Day

Thursday, February 14th
4pm - 7pm
to view over 50 paintings priced from $250 to $3,500
Enjoy Art, Drink Wine & Bring Your Valentine


225 East 6th Street
Cincinnati, Ohio 45202
513-381-2128 sandlers@cincyart.com
Exhibition continues through March 15th


CINCINNATI ART CLUB
SIGNATURE MEMBER SPRING EXHIBITION AND SALE 
==========OPEN TO THE PUBLIC=========

Friday, February 8th .........6:00 to 8:00 p.m.    Opening reception
Yeah, I know, we missed it. 

But........
The Show continues Saturdays and Sundays:   

Open for viewing: Sat. & Sun., Feb. 9, 10, 1-4 p.m./Feb. 16, 17, 1-4 p.m.

Copper and White, 14"X 11", oil on linen, ©copyright Richard Luschek 2013

The Cincinnati Art Club is located at the foot of Mt. Adams at the corner
of Parkside Place and Martrin Drive.  Our nearby neighbors are Playhouse
in the Park and Krohn Conservatory.

Use www.Mapquest.com for directions from your home
to 1021 Parkside Place, Cincinnati, Oh 45202

The Third and final ongoing show is at Gallery 42.

Basement Still Life- Storage Closet #2, Oil on linen, 16 x 20
©copyright Richard Luschek 2012
117 West Main St., Mason, OH 45040
Contact:   513.234.7874
The show will feature my new Basement Series and other various still life and landscape.

Thursday, January 3, 2013

A greener version

By green, I am referring the ecologically conscious bulb at the center of this painting. This is the second in this series with a CFL energy saving bulb- which truth be told, are not just a less-pleasant light source, but are a pain to render as they are obviously more complicated than a typical bulb. I was also surprised how warm the light appeared relative to the scene. I would typically describe a fluorescent bulb as cool, but that is not what I was seeing as I stared at the bulb for hours.

This latest basement painting is a view of the ceiling in one of our storage rooms. This is the room with where we store house hold supplies: soap, toilet paper, paper towels and light bulbs. Also on the shelves are random empty boxes- some of which are shown in the bottom right corner.
Basement Still Life- Storage Closet #2, Oil on linen, 16 x 20
©copyright Richard Luschek 2012
I tend to paint in such a way that obscures the brush strokes in my still life work. I like my paintings to look as if they are made of paint, but I don't like the focus to be on the brush stroke. This series, in our 100 year basement, lends itself to a rougher and more varied use of paint. The technique began when I decided while scraping down my palette at the end of the day to take that pile of "mud' that I normally just throw away and smear it on the canvas in gnarly piles. I needed more paint on this one so I started mixing large piles in a variety of colors, focusing on warms and cools. Was not concerned about the accuracy of the color or value too much, knowing I would fix that in subsequent passes.
I would loosely drag the paint on with a palette knife and follow up with a brush to fine tune the surface. Once that thick paint dried, I could glaze, scumble*, and dry brush over this texture.

My initial lay in was pretty thin, simple and broad:
Basement Still Life- Storage Closet #2 day one lay-in
Oil on linen, 16 x 20, ©copyright Richard Luschek 2012
          
Initially there was a pink phone line hanging down that I had painted in, I decided to get rid of it out as it was distracting and mucked up the composition.

Here is a close up shot of some of the initial texture scraped over the initial lay-in. Click on the image to zoom in for textury goodness:
Basement Still Life- Storage Closet #2 , Texture Detail
After the thick palette knife stage the painting looked a bit garish and out of sorts. The next step was to do what ever I could to unify and correct the overall look. Occasionally the texture was a bit much and I had to use a heavy knife to scrap back down to the canvas.
I am not sure yet how, or even if, this technique will affect my still life work, but I am excited about the possibilities.
Also, I may want to fix my basement ceiling.

*glaze- to brush on a thin transparent wash of paint. scumble- to loosely brush on an opaque layer of paint.

Wednesday, December 26, 2012

Spring Classes at Chatfield College

I will be teaching two classes at Chatfield College starting in January in the Spring Semester. I find it odd that the Spring semester starts in January- especially since I agreed to teach a Landscape class.
(read the following in a grumpy old man voice) "Back in my day, the school year was broken up into quarters, and they were named appropriately!"

 Below is a painting I did at the college after my afternoon class. They have some lovely grounds on which to paint, though we will probably not be going outside until the weather cooperates.

 
Springtime in St. Martin, oil on linen, 20" x 16", ©copyright Richard Luschek 2012
Thought I would post this in case anyone in the Ohio counties of Brown, Clermont, Clinton, Highland or Warren have been dying to take one of my classes. The college is in St. Martin, Ohio conveniently located betwixt  those five counties.
If you are wondering about the experience of taking one of my classes, one of the students wrote an essay about the class which you can read here: Extra Credit

"Spring" Semester Landscape Painting Class
 Drawing on the ideas of impressionism, you will practice the techniques needed to complete painted sketches, including basic composition, value, pattern, color spotting, and covering the canvas. Then, building on those skills, you will complete a larger fully realized landscape painting that will capture the impression of light and color. No experience necessary.
To register go to the following link and sign up now.
Chatfield College

The second class is an intermediate painting class.
A Monster Attacks at Breakfast, 22" x26", oil on linen, ©copyright Richard Luschek 2010

"Spring" Semester Intermediate Painting Class
  Probably more appropriately titled Beginning Painting II. I will probably teach this class very much like the beginning class. I am sure anyone that took the class before would agree, going over the basics again is a great idea.
This class is basically a still life painting class. We will set up a collection of items and paint from that week to week. There will be a few drawing and painting exercises in there as well.
Click the Chatfield College link to sign up.
Email me or the college if you have any questions.


Friday, December 21, 2012

Apocalyptic

Thought I would post about my last painting before the Mayan apocalypse. I think it is an appropriate painting to get folks ready for the end of the world.
Though I have had my coffee, it is already afternoon, and while the weather outside is frightful, it is has not really met my expectations for the end of the world. 

I posted about my basement series of paintings a while ago and have finished two more of these "still life" paintings.
Above the Washing Machine, 20" x 16", oil on linen, ©copyright Richard Luschek 2012
Since the world seems to be moving on, I may even try painting more of these.

Monday, December 3, 2012

A Few Figure Drawings

A few figure drawings from our Tuesday night sketch group, each one completed in about an hour or so.
Figure #1-Lindsay, Charcoal on Paper,  12" X 9", ©copyright Richard Luschek 2012
Figure #2 Nikki, Charcoal on Paper,  12" X 9", ©copyright Richard Luschek 2012
Figure #3 Lindsay, Charcoal on Paper,  12" X 9", ©copyright Richard Luschek 2012