Figure Drawing Class

Classical Figure Drawing -This class will be held in a lovely north-light studio downtown at the Pendelton.

The 8 week class will be from 10-1 and start  on Saturday March 26th- May 14th, running for 8 weeks.

Cast Drawing, 22"x 16", charcoal, by Richard Luschek

The class will cover the basics of drawing the nude figure in charcoal. Easels will be provided. A supply list will be sent to those who sign up for the class.

-          Participants will begin by learning the basics of the visual language, the craft and order of drawing in traditional media.

-          Focus of class: to provide initial or further introduction to the steps taken and principles applied to the art of Figure Drawing. 

This includes:

            i.       the basics of composition

            ii.       the idea of the ‘gesture’

            iii.       using the tools available (charcoal, good paper) and creating a comfortable setup

            iv.       the execution of a start, the idea of the light and dark, and flat shadows.

            v.       Main focus that drawing is the interpretation of form

-     A final session with the model will focus on the head, the drawing or painting (optional) of the planes of the head 

Class fee is $300 and include the model fees. Class size is limited
Email me at richard_luschek@yahoo.com to register.

Nikki, 12x9, charcoal sketch, by Richard Luschek

Time To Put On A Show!

After some reflection, some depression, some self flagellation and a round of the typical New Years promises, I have decided that I need to step up my game. While I feel like I am improving as a painter, the subjects and compositions have gotten stale and safe.
In December I started setting up a still life but it just was not making me tingle. I had a discussion with my friend Joe Slucher. While looking at one of my struggling still life set ups, he mentioned that it seemed forced, "Did your mother let you play with your toys at the table?"

The rough idea was there, but it was obviously not working. His comment was like an creative wedgie for my brain. It got me thinking about the realism of the subject. I am painting these scenes of kids playing- really memories from my childhood. These scenes of the 'kid version of me' need to be more truthful. How do kids play? More specifically, how did I play, and how can I create good design out of that?
Kids play on the floor. Kids are messy, nasty creatures. If you have boys you can't have nice things.
I am still pretty immature like most artists I know, but I forgot what its like to play. What did 8 year old Richard play like? Oh, I know what you're thinking- "He played beautifully and brilliantly!"

Starting from scratch, I split this still life into two set ups. In order to do this, one of the issue I had was that the backdrop is not big enough and I'd like to have the option to work in a corner, which allows for various planes of value. Also, I needed an area where I could set up on the floor if needed. I had a small sheet of plywood on the walls that I could paint for back drops but it was not good enough. I had to go bigger.

So I built some walls in that spot. I thought about using drywall, but figured plywood would be more sturdy and could be moved to the other side of the room if I wanted.

I glued and screwed these flats and used joint compound on the seam. The side wall is just screwed so I can move it if I want. I added some old picture rail I found to the top and curtain rods on hooks so I can add fabric to any scene. I wanted a wood floor and found that you could buy sample boards of Pergo (fake wood flooring) for $5 a board. I added the base molding and had a faux corner of the room set up on which to assemble my scenes. One added feature I never thought of was that the back of the side wall now gave me a place to store my stretcher bars in an upright and organized fashion.

To the right I have another set up on top of my file cabinet that needed some work too. I decided to make a mini corner of the room even though this is a higher straight on view.
I built the small corner for the top a while ago and just needed to add base molding and a floor- all of which is loose and can be removed. The nice think is that later on I can repaint the walls a new color, paint the molding, change out the floor or even add carpet. 

I then was thinking it would be nice to have an outlet or light switch to add for more options.
I drilled out the rivets on an outlet and switch, then sanded them down till they were flat. I added some tape on the back to clean it up and I have flat set decorations.

They could be added to any scene. Here I even plugged an old cord- after cutting off the tines a bit.

I used some wax to stick the light switch to the wall in my other set up.

I am pretty excited about these new 'stages'. I look forward to working on the paintings for the next few weeks.
More about these paintings coming soon.

Mother and Son

A few weeks ago a woman contacted me after taking a painting home from the gallery to try out in her home. The painting ended up being too big for the space so she returned it to the gallery and asked me to paint something smaller with the same Hadley cups featured. Her husband's mother had collected Hadley and they wanted something to remember her by. She asked that I just paint a cup or two to give as a Christmas present.
I thought it would be interesting to make a story out of it, to do a diptych of a mother and son having an afternoon drink. The mother having tea or coffee, the son having milk and playing with his truck.

Mother and Son, each panel 8"x6", oil on linen, © 2015 Richard Luschek

I decided to have the truck in both scenes and in different positions, as we all know if a boy has a truck he's gonna drive it through your space.

I thought I'd show a few stages of the lay-in process as I only had a few days to paint this to have it ready in time for Christmas.

Day 1

This was probably just done in a few hours to get the canvases covered. I wanted it to be dry the next day so I painted thinly and stored it near the furnace exhaust pipe in my studio to cook it dry.

Day 2

The week before Christmas was very cloudy and grim. So at times it was too dark to paint. I tried to just concentrate on drawing during those dark times. You can see things are starting to come into focus. For details I tend to continually paint them out and rework the area. Here you can see I got rid of the design on the right cup to work the form more.
I also added some milk to the boys cup.

Day 4

I tried to focus on the boys panel so I didn't have to keep moving the truck back and forth.

Day5

I flipped the panels on the easel so I could focus on the mother side of things. I added tea to the cup and changed the tea label from red to green. The label was actually green as it is Irish Breakfast blend, but I  initially thought it would look better red. I decided it was too much and changed it to green.
 

They were picked up a few days before Christmas. She seemed very happy with the paintings. They were still a bit wet as was still painting when she came to pick them up.
I had joked about drinking the milk when I was finished to celebrate, but did not look to appetizing after sitting in the studio for a few days- it was more cheese than milk at this point. Instead I went for a beer on the way home.

30th Anniversary of Panorama

I will have a painting hanging at the Cincinnati Art Galleries downtown in their 30th Anniversary Panorama show. It is a benefit for the Cincinnati Art Museum. 

Doughnut and Coffee, 14x11, oil on linen, 2015

 This is a painting I did as a demonstration at a local art store, then finished in the studio. I wrote about the process here a few months ago. 

The opening tomorrow is a ticketed event, but the show will be up till the first of the year. If you want to come tomorrow, put your fancy clothes on, buy a ticket and come hang out with me over by the snack table.

• Friday, December 4, 2015
• 5:00pm 8:00pm

Please join us Friday, December 4th from 5 pm to 8 pm for a special opening featuring paintings by artists of Cincinnati’s Golden Age.
This Panorama of Cincinnati Art is a benefit for the Cincinnati Art Museum. Opening night ticket sales as well as a portion of all painting sales from the month of December will go to benefit the Cincinnati Art Museum. Paintings by Cincinnati artists from the turn of the century as well as a few local Cincinnati artists will be for sale.
Reservations are required for the opening night benefit.
Exhibition continues through December 31st.

Greenacres Artists Guild Fall Show

Time for our 3rd annual Fall show at Greenacres Art Center. 
The show opens on Oct. 16th and runs until Nov. 15th, with various special events held throughout.
First, What is the Greenacres Artists Guild? From their website:

"Greenacres discovered that there was a void in the Cincinnati area for artists who are committed to the principles, methods, and traditions of Cincinnati’s Golden Age.  Therefore, we teamed up with elite professional living artists from the Cincinnati area who are focused on the traditional approach to art and formed the Greenacres Artists Guild.  Each member of the Greenacres Artists Guild was personally selected and invited to join the organization based on their abilities and approach to art."

Of course you wanna see the show but I imagine your main concern is "when will Richard Luschek be there?!"
While there are a lot of different events going on you can see here: Click me 

Here are a list of time when I will be there in my fancy clothes, or there actually painting- in my fancy clothes. I have six pieces in the show including the one being held by Eva Gabor in the photo above.

Greenacres is a very lovely place to visit on its own. It is a wonderful old Restored English Norman style manor house. It has formal gardens and fountains, a greenhouse and old barns with horses. 

Greenacres Arts Center, 8400 Blome Road, Cincinnati, OH 45243 United States

 + Google Map

Occasionally people get scared away by the signage and the appearance of a fancy residence. But look for the signs directing you to the Arts Center.
 
Opening Night is this Friday, Oct. 16th of the Greenacres Artists Guild 'Fresh from the Farm' Art Show. This event is free and open to the public. Please join us from 6-9pm at the Greenacres Arts Center as we celebrate some of the finest Cincinnati artists. Log on to www.green-acres.org or call 513-891-4227 for more information. Facebook Event

Greenacres Family Fall Fest

October 24 @ 12:00 pm - 5:00 pm
Join Greenacres Artists Guild members Will Hillenbrand, Clem Robins, CF Payne, Loren Long, and Richard Luschek as they highlight the world of illustration in a family-fun fashion! Watch Clem and Richard work on art right before your eyes. Learn about the world of sketching with CF Payne. Hear Loren Long talk about how Otis came to be, and Will Hillenbrand speak about the process of creating picture books. Attendees will also be encouraged to enjoy hayrides, story time, book signings, make and take art activities, and more!
This event is free. Ill probably be drawing monsters or knights or knights being eaten by monsters.

The next two events are the ones I am most looking forward to, but they do cost some money.  

Greenacres Art and Beer Tasting Tour

Friday, October 30 @ 6:00 pm - 9:00 pm

Local breweries will be there to offer tastings and discuss their beer. Plenty of food and drink and art and me. I will be painting a still life- set up very close to one of the breweries so I can drink and paint. Should be interesting. Tickets are $50 and can be bought at the door or ordered here.  Feel free to come in costume, as this is the day before Halloween.

Greenacres Art and Coffee and Tea Tasting Tour

November 14 @ 9:00 am - 11:00 am

Instead of being tipsy on beer, I will be all hopped up on coffee, probably painting a still life with some coffee. Local coffee roasters will be there with coffee and treats.  Tickets are $20. They can be bought at the door or ordered here.

Art Store Demo Doughnut

Yeah, I even blog on my birthday. That is how devoted I am to shameless self promotion. Honestly, I have not been great about keeping up with the blog, but I am a year older, so lets see how things go blog wise this year.
I was asked a few months ago to do a demo in the local art store, Plaza Art Supplies. I like to demo, and while the painting that I do is generally not stellar, I do like to talk and discuss how and why I work the way I do. It was a fun experience and was attended by a great crowd of attentive and inquisitive art folk.



The still life was pretty simple- a few objects in front of white screen. I have said it many times in person, while teaching, on this blog and in my dreams that it is never a good idea to compose quickly and without thought. Showing up in a new location in front of crowd does not result in brilliant composition, but I thought I had some interesting things going on- like a glazed doughnut.  I did do some online research concerning the correct spelling of doughnut vs donut. Apparently both are acceptable, though donut is a more low brow spelling and also may result in free advertising of Dunkin Donuts- the McDonalds of doughnut shops.
I did pick up a Crispie Cream doughnut at the gas station on the way to the demo. It ended up being a nice "red" center of interest. Unfortunately I also go some terrible coffee to drink during the demo. Who would have thought gas station coffee would not be delicious.

Crappy 3 hour Demo Lay-In

This is the lay-in I had at the end of the 3 hour demo. Not my best. Again, I spent a lot of time trying to sound clever.
This canvas sat in my studio for a few weeks before I decided maybe I should try to finish this painting. I wanted to set it up in the studio, get a new doughnut and fix the composition. While I was using many of the same objects and table cloth, I was basically starting from scratch. Day two went better as I was not trying to be cute and clever to a crowd.
Here is the re-lay-in in the studio.

Day Two Lay-in in studio

Much better. The values were better due to the natural light and the design was a bit more interesting and clustered around a strong center.
After this first studio day I got busy with some other deadlines and was away for a bit. A week of studio heat and bugs necessitated me getting a new doughnut (Also just a good excuse to get doughnuts in general- I need doughnuts for Art!)

Day 3- Doughnut #3

I was not fond of how the table edge ended close to the lower left corner, so I painted the corner of the table in to keep the eye from running out of the picture. As you can see from the set up above, the corner was not actually in that spot, I just painted it where I wanted it. While I generally try to set up and paint exactly what I see, occasionally some 'artistic license' is needed.

Day 4

Day 4 my wife was complaining that the doughnut looked 'obscene'. Too many bites. I argued there was nothing obscene about biting doughnuts, but I did sort of get what she meant. I noticed that the two bites and the unbitten part were 3 equal, boring units. A weird series of equal sized shapes is never good in a painting. The doughnut also did not really have much of presence. Also, the sprinkle distribution was weak. It was a wimpy doughnut. The rest of the painting was coming into focus.
Time for More doughnuts!

Day 5- Doughnut # 4

Doughnut #4 from Graeter's was a winner. The icing was pink in areas and had a lot more sprinkles. I am hoping someone from Graeters sees this posts and gives me free stuff. The Doughnut was bigger and the color more exciting. I ignored the sprinkles at first trying to squint and paint the general look first.
I got to a point where I was not sure if I was done. I had my friend Carl Samson have a look and he smacked me around about there being too may sharp edges. He was very much on the money so I spent the day trying to get back to the 'big look', seeing the thing as a whole, rather than focusing in on ever edge, everywhere.
I also decided the view of doughnut was not quite right, as I wanted the doughnut hole to show more.
More doughnuts!
I bought a stand-in for the hole of the doughnut rather than changing it out. I just set it nearby and painted the hole of the new doughnut on the old one.

Below is the finished painting. The added bit of red and yellow to the center of the doughnut really helped. I tried to keep the sprinkles soft and not too strong. Only painting a few strongly towards the front.
I finished it fast enough this day to be able to eat the whole, hole stand-in doughnut.
This was an 8 day, 5 doughnut painting.

Doughnut and Coffee, 14x11, oil on linen, 2015

Fall Landscape Class- Needs more Red

If you have been thinking of taking some painting classes now is the time. Trust me you'll like it. Below is a description of the class, list of supplies and how to sign up.
Here is an example of what the class will not be.
 

Fall Landscape Painting Class

Saturdays, September 19th thru November 7, from 10 am to 1 pm.

Come enjoy the cooler weather and the fall colors.  With "Cincinnati's most charming painting teacher", we will meet at various  scenic parks around Cincinnati to learn to sketch and to paint with oils. Drawing on the ideas of impressionism, you will practice the techniques needed to complete painted sketches, including basic composition, value, pattern, color spotting, and covering the canvas. Then, building on those skills, you will complete a larger fully realized landscape painting that will capture the impression of light and color of the Cincinnati landscape. In case of rain, we will arrange in parks with overhead cover. Details and directions to the various locations will be given in class. No experience necessary. $199; supplies are the student’s responsibility. A list will be sent with your enrollment confirmation or see  Click here.
Location: First class will meet in my studio in Eden Park; then at various parks thereafter 

richard_luschek@yahoo.com, 

To register go to the following link and sign up now.